Most memoirs explore the impact of major life experiences on the author and his/her reaction to them. However, confessional memoir is a form of the genre in which authors admit to bringing about the events that have shaped, and perhaps even destroyed, their lives. Arguably, then, it is a literary form that takes a different level of courage to write.
Getting Off is a confessional memoir by Erica Garza about her 20-year journey through sex and porn addiction: how it began, how it worsened over time, and eventually how she found a way out. What makes this a great "book with spine" is that it tackles a taboo subject fearlessly and honestly, which will give other sufferers the confidence to speak more openly about and deal with their addiction.
Books with Spine: Why was it important to you to tell this very personal story? What were your aims?
Erica Garza: I've always turned to writing for comfort and clarity, so choosing to write on this topic was my way of trying to figure out how and why I'd gotten to this place in my life. Beyond that, I hoped this book might help others who were facing similar struggles. The first piece I ever wrote on this subject was an essay for Salon.com, and the response was overwhelming. So many people reached out to me (men and women, young and old) and they couldn't believe that someone else was articulating their own private struggle the way I had. They truly thought they were the only ones going through this. That's when I knew I had to keep writing. I had to speak up for those who were too ashamed to tell their own stories.
BwS: You're known as an essayist, so why choose to write a book?
EG: Memoir felt like the most straightforward approach to cover the whole story of my addiction from beginning to end. I really just put the story down the way I remembered it and the narrative arc came naturally.
BwS: What personal and/or creative difficulties did you encounter during the writing of the book?
EG: I had some trouble deciding how to end the book. I wrote it when I was still in the early stages of my recovery, and I wasn't sure if my story measured up to what I saw in other addiction memoirs; I didn't have a neat and tidy resolution at the end. My book ends with a threesome in Thailand, not "Then I went to a 12-step meeting or found God and lived happily ever after." But I wanted to be honest and to be honest is to be imperfect. I'm much happier living in the gray area anyway.
BwS: You have an MFA in nonfiction writing from Columbia. In what ways did that help (or hinder) the writing of the book?
EG: Getting an MFA from Columbia was expensive, and while there were many days before I got published that I resented having to pay my giant loan payments, I'm now grateful for my experience. The MFA program taught me how to trust my voice as a writer, how to be disciplined and devoted to my craft, how to be a better reader, and it showed me that it was possible to be published. When I was younger, I'd always wanted to be a writer, but it felt like some faraway dream or something that happened to other people, kind of like winning the lottery. If I was lucky it would happen. Columbia taught me that it wasn't about luck. It was about doing the work.
BwS: Were you apprehensive about the reaction to the book? How do you handle reviews and readers' feedback?
EG: At the beginning, I feared that people I knew would pity me or shame me, or that my parents would feel embarrassed. But the response has been mostly positive. I mean, I have no idea what anyone says behind my back, but they're certainly nice to my face! In any case, in the process I realized that nobody will ever be able to shame me the way I've shamed myself in my past. I've grown out of the exhausting charade of trying to be something I'm not. It's so much easier and enjoyable to just say, "This is who I am. Take it or leave it." Surprisingly, what I've found is that when I allow myself to be open and vulnerable, other people feel inspired to do the same. I love having that kind of raw, genuine connection with other people.
BwS: How did you find the publishing process? Was anything about it particularly surprising/frustrating/pleasing?
EG: I was fortunate to have a wonderful team of people at both ICM and Simon & Schuster helping to bring my book to life. The most frustrating aspect has been trying to continue promoting myself and the book after my publisher and agent have had to move to other clients and shift focus away from my book, which happened maybe three months post-publication. I didn't realize how much media attention I was getting from their hard work and how clueless I was about promotion until it was all up to me.
BwS: What advice do you have for people who want to write a revealing memoir?
EG: Try not to think about what other people will think while you're writing. It will only keep you from doing the work. I like what Joyce Maynard said: "Write as if you were an orphan."
BwS: Do you plan to write another book? If so, what can you tell us about it?
EG: I'm working on a collection of essays. I'm still writing about shame, but not so much in how it relates to my sexuality, but to my culture.
BwS: What is your favorite "book with spine"?
EG: No book means as much to me as Hemingway's A Moveable Feast. I've read it many times and always with new eyes. That book made me want to be a writer. It taught me to pay attention to what people around me said and how they presented themselves, how a story can be found in the most ordinary places and conversations. It was the reason I made traveling such a priority in my twenties and early thirties, and most importantly, it taught me to pay attention to my desire, to let it guide me to a better understanding of myself.
Click here to buy Erica's book, Getting Off.
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Lorna Partington Walsh, Wordsmith